The ice age has come to Sudan. We woke up Monday morning to the chilling temperature of 70° Fahrenheit. The locals brought out their beanies and ski clothes (I wish I was exaggerating) to take on the coldest weather of the year. Roles were reversed and suddenly it was my thick North American blood that was helping me to adjust to the local weather.
Monday brought us a full load of patients to the clinic here in Tonj as well. We saw a total of 130 patients. We’re all settling into our roles in the clinic much more comfortably this week. I’ve been manning the registration table with my Sudanese partner Marco. I’ve become the lord of the thermometer and have about five different strategies for determining the weight of a screaming baby. I’m even learning some basic triage.
Outside of the clinic, we had our first weekend in Tonj. Sunday was a great day of attending church here on the compound with the entire staff and many of the other NGO workers here in Tonj. Sunday afternoon we had a picnic out on the river valley. I snapped the shot below of my roommate Daniel having some fun with Dut, our resident security guard. Lots of football to be watched too – we’ve got six different nationalities represented here and national pride was high during the Germany vs. England and USA vs. Ghana matches.

Last Friday, Africa got the best of me for a day. I woke up at 5 am and unfortunately proceeded to vomit the entire contents of my stomach back into the world. But a day full of sleeping and a little bit of the wonderful antibiotic known as Cipro and I was back on my feet the next day.
Saturday I had a lot of fun filming some commercials featuring the Sudanese guys to show during halftime at our upcoming World Cup public viewing outreaches this week. We did two skits and Sebit interviewed Donato, a boy here who has an amazing testimony.

Some prayer requests for this week:
-
For the health of my teammates Missy and Daniel – they’re both recovering from bugs they picked up earlier this week.
-
For our World Cup and Malony village mobile clinic outreaches this week – that we would use these as an opportunity to bless the communities and reach out to them tangibly with the love of Christ.
-
That I would believe not just in my mind, but in my heart in the power of God and his desire to work in fresh and new ways in and through my life during my time here and that any barriers I put up to Him working in and through me would be torn down.


When the music history books are written, this is one of the albums that this decade will be remembered by. The range Muse covers in 11 cuts here is unbelievable, with many of the best progressions in music from the last 10 years weaved into one album. The album opens with the alternative rock anthems “Uprising” and “Resistance”, goes to strings and electronic drums beats in “Undisclosed Desires”, to punk in “Unnatural Selection,” and closes with a three part symphony. Bellamy departs from his usual ambiguous lyrics writing. Many songs have an obvious node to themes from Orwell’s 1984 mixed with songs written intimately about love and relationships.
In Genesis 32, Jacob spends a night wrestling with God; and he emerges with an entirely new perspective of Him. This album is that story told through the words, hearts and experiences of Chamberlain and Gillespie. Beautiful raw honesty abounds and the band brings a sound that is powerful, more raw than 2006’s Define The Great Line. It draws you in from the first note and keeps you to the final scream and ring of the guitar. The album is arranged perfectly; mellow interludes with Gillespie’s singing contrast Chamberlain screams and heavy instrumentation at all the right moments.
MuteMath wrote a follow up to their 2006 self-titled album, recorded it, and then threw it away. Then they wrote Armistice. Meany said their goal was to “embarrass” their last album (which was pretty good in its own right), and well, they did a pretty good job. Every member of MuteMath is ridiculously talented on their own, and they come together to make an album that is eclectic, yet cohesive. Meany’s lyrics are as always intelligent, raw, inspiring, and introspective. If you buy one album from this list, get this one.
As Cities Burn’s final release comes out as strong as their previous two. A studio version of “Gates,” a song usually reserved for the encore of their live performances, ends the record. Gates weaves together an instrumental version of a hymn, Bonette’s thoughts on grace and worship, and a modified version of the chorus of “Love Jealous One, Love.” The previous nine tracks are just as strong, bringing the widest range of sounds of any ACB record. Former lead vocalist T.J. starts off the album screaming, and Bonnette delivers a fresh dose of his spiritually challenging lyrics, words that make me continue to listen to all of ACB’s records over and over again.
Webb departs from his folksy past and delivers an album defined by its progressive use of traditional and electronic instrumentation. It doesn’t quite sound like anything I’ve heard before. Lyrically, Webb brings his usual, often controversial self; sharing with listeners spiritual insights and refusing to fit into the CCM box, calling things as he sees them. I’ll refrain from discussing the “What Matters More” controversy in this short summary, though make sure you hear the album with that song included.
On this record, Jars Of Clay makes a much needed departs from the comfortable sound that they have established over the years; mixing a warm range of layered guitars, electronic beats, and synths, all rooted by many of the tried and true Jars of Clay elements. Haseltine’s lyrics are personal, straying away from big ideas, but instead sharing individual experiences from his relationships.
Hillsong United is far from your typical worship band. Their newest album has no obvious hits, and I love that, just 70 minutes of the anthems of God’s people, written by a group who understands and is leading a new generation of worshippers. The freedom Christ brings our life is a theme threaded through the entire album, recorded live all over the world. Hillsong United isn’t okay with their shows only impacting the people in the arena; this year they started a new project called